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As the internet continues to evolve, so too will the ways in which content like that produced by Azov Films is created, distributed, and consumed. The cat-and-mouse game between content creators, distributors, and regulators will likely continue, with new technologies providing both opportunities for innovation and challenges for oversight.

Groups like the Canadian Centre for Child Protection (C3P) and the Internet Watch Foundation (IWF) estimate that up to 70% of CSAM in circulation consists of images of children under 10, and 25% of those are under 5. The “2010up” range means that a child abused in 2010 is now an adult—but their images will remain online forever. They will never escape the knowledge that thousands of strangers have seen their abuse.