Instead of forcing one compressor to do all the work, use two different compressors in series for a smoother sound. Purpose: To catch fast, sudden volume spikes.
Boost the high-end slightly (around 10 kHz - 12 kHz) with a wide Q for that "airy" presence.
Load Fruity Delay 3. Set it up as a send effect for maximum control.
Use a stereo widening plugin (like FL Studio's Fruity Stereo Enhancer ) to push the ad-libs to the far left and right.
: A smoother optical-style compressor (like a CL-1B) to glue the vocal together and provide consistent levels.
To achieve this sound, the mixer track should follow a specific sequential logic to maintain dynamic control without losing the "human" element of the performance. Subtractive EQ (Fruity Parametric EQ 2): High-Pass Filter: Cut everything below 80–100Hz to remove mud. Boxiness Removal:
If you load up FL Studio and slap a stock "Telephone" preset on Edison, you will fail. You need to understand the psychology of the sound first.
Don’t put these directly on the main vocal track. Use to keep the vocal crisp.
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