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The distinct nature of Malayalam cinema is often attributed to Kerala's rich history of visual and performing arts.

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Unlike any other Indian film industry, Malayalam cinema maintained a "parallel cinema" movement that was fed by high literature. M.T. Vasudevan Nair (a Jnanpith award winner) wrote screenplays that were essentially literary masterpieces. Films like Nirmalyam (1973) explored the decay of the Brahminical priesthood, a subject no mainstream industry dared touch.

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: Even before film arrived, Kerala had a culture of "moving images" through Tholpavakkuthu (shadow puppetry), which used techniques similar to modern cinema like close-ups and long-shots.

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Director K. G. George’s Yavanika (1982) or Lekhayude Maranam Oru Flashback (1985) dissected the Kerala middle class with surgical precision—their hypocrisies, their sexual repressions, and their quiet desperation.