Odia Kohinoor Calendar 1988

Tithi (lunar day), Nakshatra (star), Yoga, Karana, and Vara (weekday).

The "Odia Kohinoor Calendar 1988" is more than just a vintage date-keeper. It is a powerful cultural artifact that represents the rich astronomical heritage of the Odia Panji, the unmatched legacy of a family-run press, and a unique story of interfaith trust. For the Odia people, it continues to be a timeless emblem of their identity. The Kohinoor calendar is not just a tool for counting days; it is a thread that weaves together the past and present, community and faith, under the watchful gaze of Lord Jagannath.

The 1988 Panjika (the astrological almanac section) was meticulously calculated. It contained the Panchanga details (Tithi, Vara, Nakshatra, Yoga, Karana). For astrologers and priests in 1988, this book was their Bible. It listed the "Mausika" (monthly forecasts) and detailed timings for Sankranti and Purnima , which were critical for agricultural planning in rural Odisha.

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: Daily calculations for Rahu Kala, Varjyam, and Kala Bela to avoid starting new ventures. Major Festivals Marked in 1988

The for a specific birthdate in 1988. The exact date of a particular festival in 1988. How to read vintage panjika terms and symbols. Share public link

The celebration for the eldest child occurred on December 2, 1988 . Tithi (lunar day), Nakshatra (star), Yoga, Karana, and

: The exact Gregorian dates of the 1988 calendar matched perfectly with the year 2016 .

Astrologers study the 1988 planetary configurations to compare past weather cycles and cosmic patterns with current trends.

This is a basic representation of the Odia calendar for 1988. Please note that the exact dates may vary slightly depending on the specific region and tradition. For the Odia people, it continues to be

The Odia Kohinoor Calendar of 1988: A Cultural and Astrological Nostalgia Journey

Determined fasting days like Ekadashi or festive days like Purnima (Full Moon). Nakshatra (Constellation):

A vintage calendar like the 1988 edition serves several modern purposes:

The late 1980s saw a shift from purely religious iconography to a blend of heritage and modernity. The typically measured 14x22 inches. The top panel featured a painting of a classical Odissi dancer, a nod to the growing international recognition of Odissi as a major Indian classical dance form (Sanjukta Panigrahi was at her peak).